This time
last year I wrote a bulletin about the church organs of Paris. There’s
something about the month of December, the dark nights and the cold air –
possibly even the advent of Christmas, although there’s little enough left of the
‘holy’ in the Christmases we celebrate now – that leads me back to churches, to
their dim interiors, makes me want to fill my nose with the scents of incense and
candle wax.
It’s the
bells of Notre Dame I’m thinking of just now. These past seven weeks I’ve been
hearing them every Wednesday evening as I come up from the RER metro and make
my way across the parvis de Notre Dame and over to Shakespeare & Co, the
bookshop in whose upstairs library a weekly writing workshop has been taking
place.
First the
great bell, Emmanuel the ‘bourdon’ bell, rings out a few seconds ahead of the
rest and then the pealing begins and although the traffic noise is not drowned
out, the bells rise above it, melodic and formidably insistent in the night
air.
Last week I
was early for my class so, instead of just crossing the bridge I went round to
the church entrance and seeing it was still open, went inside. Mass was being
sung but few enough of the visitors were there to hear it. Perhaps thirty or so
were standing with the priest, the rest were like me, tip-toeing about, unengaged
in the central purpose of the building although probably not completely
indifferent to the atmosphere of prayer and calm.
You can’t explore
inside any of the Russian or Greek Orthodox churches as those tourists were
exploring Notre Dame. The churches are locked except during the hours of formal
worship. I know because I’ve tried them. Like mosques, they are spaces apart,
sacred ground for their fidèles. I love the open accessibility of the Catholic
churches but I also admire the insistence on the ‘awe-fulness’ of the divine
that is implied by those shut doors with their notices in Greek, Aramaic or
Russian that make no concessions to casual passers-by.
The first
phase of the new Institut des Cultures d’Islam was completed a couple of weeks
ago and the great and the good of Paris came to celebrate the opening of the
new building on the rue Doudeauville. It is a splendid space on three floors,
with a hamman in the basement which will open in January. I and several hundred
others were lined up outside on the afternoon of Thursday 28 November, expecting
to get in since we’d been invited. The main door is on the rue Stephenson. Within
minutes the queue was overflowing onto the narrow street, blocking the traffic.
The noise of angry drivers thumping their car horns rapidly became as deafening
as it was pointless.
It was
raining slightly and in the close-pressed crowd tempers began to rise. We
waited and waited while the security men kept pushing us back. Tempers rose
higher. An old man on my right leaning on a stick began berating a young woman
with a child who was trying to wriggle her way forward to the front. Other
people, just as hemmed in and uncomfortable, began cursing him for his
intolerance. Considering the occasion, it was a bad beginning.
Then - quite
how it happened I’m still not sure - all of a sudden I and 7 others were pulled
forward and told we could go in, not to hear the speeches (which I didn’t care
about anyway since they’d no doubt be as predictable as such speeches always
are on these occasions) but to go straight upstairs to the first and second
floors.
Thus it is
that I can report that the first floor is wholly taken up by ‘la salle de
prière’. A man was handing out elasticated blue plastic bags at the entrance so
that people didn’t have to remove their shoes. What was there to see? A
carpeted empty room, some lights hanging low, the mihrab in the corner and
diagonally across the space, a curtain behind which the women worship – about
one third of the whole area. Nothing
remarkable you might think, except that the fact that it is there at all is
quite remarkable. The cultural centre has been funded by the Mairie de Paris so
in theory there should be no religious activity within the building - the law
of 1905 prohibits the state from funding buildings which will be used for
religious purposes. It has required money
from la Grande Mosquée de Paris plus some careful manoeuvring on the part of
Daniel Vaillant (mayor of the 18th arrondissement) and Delanoe’s
team in the town hall, to bring the secular and the holy together under one
roof.
Interesting
and challenging times we live in – perhaps no more so than any other time but
noisier and more invasive in every way than they used to be. We may not want
‘les rituels du culte’ but truly we do need the silence of churches.
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