I’d say that most
visitors to Paris, especially those who come back again and again - and they
must be counted in the hundreds of thousands - have ‘their Paris’. It’s that
kind of city. Reconnecting with ‘your Paris’ may mean sitting on a particular
cafe terrasse with a cafe crème or a coup de rouge in front of you, revisiting
the street where you stayed as a student, buying a bag of dark red cherries at
the marché and eating them on a bench in the Luxembourg, walking from X to Y
like you did last year, and the year before that, seeing what’s new, what’s
not.
The Paris
most visitors know and love probably lies somewhere within a notional ‘centre’
of the city, more often in the low-number arrondissements than in the high ones
like the 18th, 19th or 20th, although
Belleville and the Buttes Chaumont have their afficionados and some of
Montmartre is in the 18th. And now that the 19th arrondissement
has added the 104 to its attractions - surely the liveliest, most
boundary-stretching arts centre in the whole city – parts of the north are
perhaps beginning to feel a little less ‘beyond the pale’ than they used to.
Have you
thought though, about exploring the 17th and that part of the 17th
which is en plein développement? Clichy-Batignolles is a quartier to watch, and
to visit. It has one of the newest and most imaginatively laid-out parks in
Paris, the Parc Clichy-Batignolles Martin Luther-King, once an industrial site,
now 5 hectares of greenery, wild life and water – and 5 more to be planted and
landscaped by 2017.
The area was
originally destined to be used as the Olympic Village, before Paris lost out to
London for the 2012 Games. I don’t suppose anyone would talk about the legacy of not getting the Games,
but that’s what this park is, and a very fine legacy too, with skate ramps,
sports and play areas as well as quiet green spaces, used by thousands of
families from all over the city. It’s easy to find. Catch the metro line 13
going north and get off at Brochant.
The quartier
Clichy-Batignolles is transforming itself in other ways. Building has already
begun on what was a huge railway marshalling yard. 3,400 new homes will be
created (50% of them ‘logements sociaux’), and a vast amount of new office
space, including the new Palais de Justice.
The waste
generated by all these new residents/workers will be managed by Propreté de
Paris (the municipal cleansing department) and a private partner, using a state-of-the-art
rubbish and recycling system. I’m talking about ‘la collecte pneumatique’. It
involves sucking the rubbish down underground tubes which vomit it out into
wagons stationed at the gare St Lazare. From there it is taken by train to the
recycling depots so reducing both pollution and congestion on the roads.
By no stretch
of the imagination can Paris be described as a role model for sustainable
development – yet. There are many northern European cities using pneumatic
collection and even more revolutionary, eco-friendly ways of managing domestic
and industrial rubbish. But Paris is gradually waking up to the need to get
greener: the velib bikes, the electric cars which are proving so popular, the
separate recycling and non-recycling bins on every street corner and the
relentless campaigning by the Mairie to get the streets cleaner and quieter.
It’s a shame though,
that this capital, many of whose citizens have kept their links with the
countryside, is proving so slow to embrace composting or greening the city at
the humble, domestic level. It would be so easy for people just to grow more
stuff, more flowers, herbs and shrubs, on their window ledges and in their
courtyards. And think of the increase in bird and insect life that would
bring...
I’ll round
off this bulletin back at one of the traditional centres of Paris cultural life
however, specifically at the centre Pompidou. I have never been able to muster
much enthusiasm for Salvador Dali but I am evidently in the minority. The
exhibition of his work that has been showing for the past few months at the
Centre Pompidou is opening round the clock this weekend – vingt-quatre heures sur vingt-quatre – to try to meet the demand.
It closes on 25th March. When I was last at the Beaubourg, to take a
look at the Eileen Gray exhibition, the queue for Dali stretched all the way
along the 5th-floor corridor and people who’d managed to get that
far were being told they still had a couple of hours to wait before they’d be
inside, in the temple itself.
Soit dit en passant
that the Eileen Gray exhibition is well worth a visit - a little video of her talking in her posh
English accent (Anglo-Irish aristo, lived in Paris most of her adult life), about her introduction to lacquer
work and her collaboration with Sugawara-san. A pleasure to watch.
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